The Music of the Troubadours (Music: Scholarship and Performance) Review

The Music of the Troubadours (Music: Scholarship and Performance)
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This book is very useful. Mainly I was looking for a book that contained the score of trobadours songs: I found it. Inside I found most of the songs I was looking for.

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Made by Hand: Furniture Projects from the Unplugged Woodshop Review

Made by Hand: Furniture Projects from the Unplugged Woodshop
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There has been an unfortunate gap in the literature on hand-tool woodworking. On the one hand, books and DVDs from authors like Garrett Hack, David Charlesworth, Chris Schwarz and Rob Cosman can give you a solid foundation in hand-tool techniques. On the other hand, there are countless articles in magazines like Fine Woodworking and Popular Woodworking describing the construction of particular projects; however, these usually rely heavily on power-tool methods. The hand-tool woodworker has to translate these instructions into the vocabulary of techniques available to him. This might be second nature to an experienced woodworker, but it can be quite intimidating for beginners.
So, a book that focusses on specific projects rather than general techniques is a welcome addition to the hand-tool library. Viewed in this context, this is a great book. The projects are all quite beautiful; Fidgen is a gifted designer. They're also quite different from each other, so by working through all of them, you'll receive a fairly thorough grounding in both the forms (tables, cabinets, chests) and methods (drawers and doors, dovetailed carcasses, frame-and-panel joinery) of traditional cabinetmaking.
The book is also quite inspiring. It won't be joining the pantheon of great woodworking manifestos (see Krenov, Nakashima, Pye), but just glancing through the pages full of beautiful photographs (all of them showing top-notch workmanship) is sure to spark your enthusiasm.
I do have several complaints. As a writer, Fidgen is very much a product of the internet age. Defenders of the English language, who expect things like proper punctuation and complete sentences, can expect frequent irritation. The first section of the book, which is meant to serve as a crash course in tool selection and basic techniques, falls completely flat. Fidgen should have made a serious attempt here (which probably would have increased the size and usefulness of the book two or threefold) or simply left this section out. As it stands, it's a collection of semi-interesting stories and advice that's often vague to the point of being meaningless.
For example, on the subject of the workbench (the single most important object in a hand-tool workshop), Fidgen recounts the tale of how he ended up with two benches, then tells you to read Chris Schwarz's book on the subject. The discussions of fundamental techniques (sharpening, planing, sawing, etc.) are all completely inadequate. His bench hook and shooting board are made of plywood and MDF; in other words, they can't be made with hand tools alone. He inlays a contrasting strip of wood into *both* of his winding sticks, completely defeating the purpose of the strip.
Fidgen now runs a superb blog ([...]), and that's how you should think of this book: if you took a year's worth of blog entries and had them printed and bound, you'd have "Made By Hand." That isn't necessarily a fault. By having a talented woodworker walk you through the construction of some beautiful furniture, you're bound to learn and to be inspired. But if you want a well-organized and reasonably comprehensive text on hand-tool woodworking, you should look elsewhere.

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"Made By Hand" is the definitive book of how to build woodworking projects using hand tools. While there are a number of books on hand tools for woodworkers that provide information about hand tools and their individual uses, no one has put these tools to use on a project. In that regard, this book is unique and will fit in perfectly with the rapidly expanding category of hand-tool woodworking. The six projects and companion DVD offer excellent views of the hand tools in use, and the critical body positioning necessary.

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Ralph Compton Riders of Judgment Review

Ralph Compton Riders of Judgment
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Ralph Cotton writes what hopefully won't be the last book about Danille Strange and her twin brothers Jed and Ted. In doing so, Cotton has carried on the works started by Ralph Compton while not missing a hoofbeat. Compton must be smiling from his writing desk in the sky at the magnificiant job Ralph Cotton has done carring on his(Compton's) work. RIDERS OF JUDGEMENT is a must read for any western fan.

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In her guise as "Danny Duggin", Danielle Strange has spent the past two years hunting down the outlaws who murdered her father. Reunited with her brothers, the twins Tim and Jed, she plans to take her war across the border into Mexico-unaware she's being pursued by a U.S. federal marshall...

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The Ancient Near Eastern World (World in Ancient Times) Review

The Ancient Near Eastern World (World in Ancient Times)
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A mark of the best academic writers is their ability to distil large amounts of learning into chunks digestible for mere mortals - or in this case, younger readers. Professor Podany and Ms McGee have done precisely that for the fascinating ancient Middle East, whence came so many discoveries and ideas that survive from 5,000 years ago to modern times - the wheel, measurement of time in base 60 (seconds and minutes), writing, mathematics...and so the list goes on. I bought this book as an introduction for me and - hopefully - an inspiration for my children. This eminently readable book has yet to be submitted to the second test but has passed the first with flying colours, as I am now not only more knowledgeable but have more insight into the region, as well as being inspired to find out more. I strongly recommend this book for anyone interested in finding out more about an influential and formative period in our shared history.

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Following Jesus: More About Young Children and Worship Review

Following Jesus: More About Young Children and Worship
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I was very excited to hear that Sonja Stewart had published a follow-up to "Young Children and Worship." However, in actually looking through the book when I received it, I was disappointed to see that a certain amount of "Political Correctness" has been introduced, as well as some other elements that distract from the original Gospel accounts. Many of the stories have had a boy and girl added to the cast of characters. While I think I understand Ms. Stewart's intent (to draw young children into the stories in a "you are there" manner), I feel that it is actually a distraction. In some lessons there are more than twenty little wooden people to move around, which is difficult for the storyteller and confusing for the children. And some of the wondering questions, in particular, are hopelessly like something a school counselor leading a group discussion would come up with: (from the lesson entitled "Jesus' Trial") "I wonder why they want to kill Jesus just because they do not agree with him? I wonder how they could have settled their differences besides wanting to hurt or kill? I wonder what other ways Judas could have handled his guilt and sadness besides killing himself? I wonder how Judas could have been helped not to kill himself?" Perhaps I underestimate the wisdom of very young children, but I truly do not think they are yet ready to wrestle with the dynamics of first-century Jewish religious thought or the reasons why someone would end their own life.
Nevertheless, there are some excellent resources in this book, in particular the templates and instructions for making the materials. I just cannot imagine using this book "as is."

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This volume introduces the life and teachings of Jesus to children aged 3 to 7. It sets Gospel stories in the context worship that children can relate to. Sonja Stewart offers advice on how to create a worship environment which enables young children to begin to appreciate the meaning of worship through biblical stories and parables. Focusing here on the life and teachings of Jesus, she shows how to illustrate the stories using felt and wooden materials so that the children can "read" them as well as hear them. At the same time, she translates the stories into a fourfold order of worship that parallels adult worship but is approriate for young children. The book includes 34 story presentations and patterns for the figures in the stories.

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They Wrote on Clay: The Babylonian Tablets Speak Today (Phoenix Books) Review

They Wrote on Clay: The Babylonian Tablets Speak Today (Phoenix Books)
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Before the beginning of this century, the only information we had about Ancient Babylon was from the Bible. Consequently, most of the literature that I have read on the subject (written during the height of Iraqi Archeaology in the 1920's and 30's) has been on a religious note rather than a historical one. This book changed all that. It brought a highly academic subject to the layman. It is a simple, informative account of how the real Babylonians lived. It describes the Babylonians as an advanced people who appreciated art and literature, as well as entering into contracts and having mortgages. It is a great introduction to an ancient civilisation.

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Edward Chiera was that most remarkable of men, a competent and respected scholar possessed of an ardent desire to make his research readily and entertainingly available to laymen. More remarkable, Chiera had extraordinary gifts to equal to his desire. They Wrote on Clay combines fascinatingly the fruits of sound and painstaking archeology with the natural-born storyteller's art. As transmitted by Chiera, the message of the recently discovered Babylonian clay tablets becomes an absorbing exrusion into the common life of a vanished civilization. Few will read They Wrote on Clay without becoming infected with something of Chiera's love for the rich archeological lore of the ancient Near East."The book presents, briefly and clearly, a vivid picture of a long-dead people who in numerous ways were very like ourselves."—L. M. Field, New York Times "No mystery story can be as exciting."—Harper's "Plainly and fetchingly written."—New Republic

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King James Version Debate, The: A Plea for Realism Review

King James Version Debate, The: A Plea for Realism
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D. A. Carson's primary purpose in writing The King James Debate: A Plea for Realism is to refute those who advocate the superiority of the Greek textual tradition behind the King James Version of the Bible. As a consequence, his effort has produced a wonderful primer on textual criticism. The book is divided into two parts: Textual Question and Nontextual Questions. Carson makes every effort to treat the position of his opponents with respect although it is quite evident their position frustrates and even angers him.
The first six chapters are dedicated to surveying the different text-types and their historical traditions. He gives his readers a succinct overview of very complex issues regarding the rise of the four major textual traditions (Byzantine, Western, Alexandrian and Caesarean) and briefly discusses their strengths and weaknesses. Carson also navigates the thorny issue of how variations between these text-types developed.
Carson briefly discusses the origins of the Textus Receptus (TR) and makes the case that the TR is based upon the inferior and late Byzantine text-type. He traces the history of the TR through Erasmus's Greek Testament. He affirms that the KJV translators used the best manuscripts available to them at the time, but subsequent discoveries cast doubt upon the accuracy of the Byzantine text-type vis-à-vis the other traditions. In Chapter 7, Carson methodically summarizes the reasons why the TR is an inferior textual tradition.
Part Two deals with what Carson calls "Nontextual Issues." In actuality, this major division addresses Carson's thoughts on translating scripture. He deals with seven popular arguments some uses to support the superiority of the KJV translation over other modern English translations. Carson respects those who have a deep personal and emotional commitment to the KJV but has harsh words for those who use historically and scholarly fallacious methods to claim KJV superiority over other modern translations. He points out that the KJV is quickly falling out of favor because the Elizabethan English is obscure, confusing and sometime incomprehensible.
Carson includes a lengthy appendix presenting a critique of the book "The Identity of the New Testament Text" by Wilbur N. Pickering. Pickering's thesis is that eclecticism is not a method to be trusted. Pickering objects to the concept of text-typing and supports the majority reading approach to determining the most accurate text. Carson refutes Pickering on eight points. Many of these points refer back to his 14 theses in chapter seven.
D. A. Carson's point-by-point analysis and refutation of the "King James-only" element in American Christianity should be required reading as an introduction to textual criticism. The book is also helpful for anyone entering the pastoral ministry. Carson thoroughly and forcefully presents both sides of the issue with more respect than his interlocutors provide him.

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