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(More customer reviews)ANCIENT MESOPOTAMIA : Portrait of a Dead Civilization. 433 pp. Chicago & London : The University of Chicago Press, 1968 (1964). (pbk.)
The civilizational achievements of the Sumerians, Babylonians, and Assyrians of Mesopotamia only started to become known over the course of the last century or so. For our new understanding of the past we have to thank archaeology, in particular for its discovery of many tens of thousands of baked clay tablets which have miraculously preserved the complex cuneiform writing system, languages, and literatures of the ancient Mesopotamians, and for the patient decipherment of these tablets and other cuneiform-bearing artefacts by a small and dedicated group of international scholars.
The literature on this subject today is vast, and much of it is accessible only to specialists. Of the studies that are generally available - such as those of A. Leo Oppenheim, Samuel Noah Kramer, and Thorkild Jacobsen - most tend to be aimed at a more scholarly type of audience, the kind of people who like detailed footnotes, precise references to sources, bibliographies, etc.,
Oppenheim's valuable study, which weighs in at a hefty 433 pages, contains all of these plus fifteen plates, three maps, a Chronology, a Glossary of Names and Terms, and an Index. As a distinguished scholar and linguist who spent more than thirty years studying the cuneiform tablets, he offers us a personal picture of the Mesopotamians of three thousand years ago which sums up all that the tablets have to tell us about the ancient civilizations of Babylon and Assyria.
His book is organized as follows - Chapter I : The Background; The Setting; The Actors; The World Around; II : The Social Texture; Economic Facts; "The Great Organizations"; The City; Urbanism; III - Historical Sources or Literature?; An Essay on Babylonian History; An Essay on Assyrian History; IV - Why a "Mesopotamian Religion" Should Not Be Written; The Care and Feeding of the Gods; Mesopotamian "Psychology"; The Arts of the Diviner; V - The Meaning of Writing; The Scribes; The Creative Effort; Patterns in Non-Literary Texts; Part VI - Medicine and Physicians; Mathematics and Astronomy; Craftsmen and Artists.
Of particular interest are Oppenheim's views on "religion" as set forth in Chapter IV. He tells us, for example, that : "The Immense ruins of the temple towers [i.e., ziggurats] of the large cities ... made Babylonia famous .... Yet even today we do not know the purpose of these edifices.... We do not know what they were for" (page 172).
This is a startling admission, since it calls into question pretty well everything that has been written about ancient Mesopotamia. If the "temples" shouldn't really be called "temples" since we don't know what purpose they served, what about the "gods" and the "myths" of the Mesopotamians? Do these also represent a distortion or misreading of the facts? Were the gods really gods? Were the myths merely fabrications? Was their literature literature, or was it history?
So far as I know, Oppenheim is one of the very few scholars who have had the courage to suggest that the conventional view of Mesopotamian history may be fundamentally in error.
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Ancient Mesopotamia: Portrait of a Dead Civilization"This splendid work of scholarship . . . sums up with economy and power all that the written record so far deciphered has to tell about the ancient and complementary civilizations of Babylon and Assyria."—Edward B. Garside, New York Times Book ReviewAncient Mesopotamia—the area now called Iraq—has received less attention than ancient Egypt and other long-extinct and more spectacular civilizations. But numerous small clay tablets buried in the desert soil for thousands of years make it possible for us to know more about the people of ancient Mesopotamia than any other land in the early Near East.Professor Oppenheim, who studied these tablets for more than thirty years, used his intimate knowledge of long-dead languages to put together a distinctively personal picture of the Mesopotamians of some three thousand years ago. Following Oppenheim's death, Erica Reiner used the author's outline to complete the revisions he had begun."To any serious student of Mesopotamian civilization, this is one of the most valuable books ever written."—Leonard Cottrell, Book Week"Leo Oppenheim has made a bold, brave, pioneering attempt to present a synthesis of the vast mass of philological and archaeological data that have accumulated over the past hundred years in the field of Assyriological research."—Samuel Noah Kramer, ArchaeologyA. Leo Oppenheim, one of the most distinguished Assyriologists of our time, was editor in charge of the Assyrian Dictionary of the Oriental Institute and John A. Wilson Professor of Oriental Studies at the University of Chicago.
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