Showing posts with label my books. Show all posts
Showing posts with label my books. Show all posts

In the Beginning Was the Word: The Power and Glory of Illuminated Bibles Review

In the Beginning Was the Word: The Power and Glory of Illuminated Bibles
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This is a wonderful survey of illuminated bibles that is so reasonably priced that I would gladly recommend it to *anyone* interested in illuminated manuscripts. For artists working in the medieval style, I strongly recommend adding this to your reference collection.
The book starts with an introductory chapter on book production in medieval monasteries and then quickly moves on to its stated purpose: a primarily visual survey of a variety of hand-made bibles from their beginnings to the mid-17th century. Each book featured is accompanied by a short text and at least one exploded view of the illumination details. The majority of bibles surveyed fall squarely between 1200-1500, but there are several earlier and later manuscripts. The preponderance of manuscripts come from central and eastern European libraries, so in addition to the usual Franco-Flemish and Italian examples, there are also a number of Greek, Armenian, German, Spanish, Ethiopian, Slavonic, and other under-represented areas included in this book.
The exploded details of the illumination are one of the best things about this book. They are so greatly enlarged that one can often identify the brush strokes. Added to the greater-than-usual breadth of the survey-in styles and in quality--and the reasonable price, it's a book you shouldn't skip.

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Examining the history of Bibles from the Middle Ages, the editors gather a team of scientific experts to describe each manuscript in detail. This book presents the Bible as it was visualized in both theological and historical contexts and makes the finest of these illuminated manuscripts accessible to the general public.

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Scribes and Illuminators (Medieval Craftsmen) Review

Scribes and Illuminators (Medieval Craftsmen)
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This is a fabulous book. There are a myriad of books available on the market, but this one is unique. Christopher De Hamel has a deep passion for this material as a scholar (at Corpus Christi, Cambridge), a researcher (at Sotheby's), and as a practitioner (at his Aunt's garden finding nuts to create medieval colors). His book follows the general direction of preparing the parchment, ruling the lines, and adding script and ornament. Colors and gold are given special attention, but without getting into stylistic variants. (Read his other books for that) The work is described in detail, but from an experiential rather than purely theoretical viewpoint, and his humor, his opinions, and his insights are mixed with historical details. Despite Christopher De Hamel's reputation, his humility and accessibility pervade his work, and are abundant here. In summation, this book invites, even seduces, interest in what could be a dry subject, presents beautiful photos, and opens a world of fascination to the layman and specialist alike.

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