Showing posts with label historical dimensions and perspectives. Show all posts
Showing posts with label historical dimensions and perspectives. Show all posts

The Greek Manuscripts Of Aristotle's Poetics Review

The Greek Manuscripts Of Aristotle's Poetics
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I read these works for a graduate seminar on Aristotle.
Poetry appeals to human passions and emotions. Powerful beautiful language and metaphor really appeal to emotion. This idea really disturbed Plato, who takes on Homer in the Republic. Plato thought that early Greek poetry portrays a dark world; humans are checked by negative limits like death. Tragedy has in it a character of high status brought down through no fault of his own. Plato says this is unjust. Republic is about ethical life and justice. It starts with the premises that might makes right and then moves onto the idea much like modern religions that justice comes in the afterlife. Plato hates the idea that in tragedy bad things can happen to good people. He wanted to ban tragedy because he found it demoralizing.
Aristotle's Poetics is a defense against Plato's appeal to ban tragedy. Tragedy was very popular in Greek world so Aristotle asks can it be wrong to ban it? Yes, it is wrong thus he decides to study it. Plato says Poetry is not a technç because the poets are divinely inspired. Aristotle disagrees Poetics is a handbook for playwrights. Mimçsis= "representation or imitation." Plato uses it in speaking of painting, thus art is imitation. Another meaning is to mimic, like actors mimicking another person. Plato and Aristotle use it to mean psychological identification like how we get absorbed in a movie as if the action were real, eliciting emotions from us. We suspend reality for a while. Aristotle says this is natural in humans; we do this as children, we mimic. If imitation is important for humans then tragic poetry is worthwhile for Aristotle to study.
Definition of tragedy- "Through pity and fear it achieves purification from such feelings. This is a famous controversial line. Katharsis= "pity and fear" thus the purpose of tragedy is to purge katharsis. Katharsis can also mean purification or clean. There is a debate if it means clarification, through which we can come to understand katharsis. Aristotle thinks tragedy teaches us something about life. Tragedy is an elaboration on Aristotle's idea that good or virtuous people sometimes get unlucky and in the end, they get screwed. Tragedy shows this so we can learn to get by when life screws us. The whole point of tragedy is action over character. Action is the full story of the poem like the Iliad. Character is only part of the action.
Aristotle distinguishes between poetry and history. Poetry is concerned with universals, history is concerned with particulars.
I recommend Aristotle's works to anyone interested in obtaining a classical education, and those interested in philosophy. Aristotle is one of the most important philosophers and the standard that all others must be judged by.


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An Autobiography of George Washington Review

An Autobiography of George Washington
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I found this book to be really amazing and carefully researched. The authenticity is really incredible. It turned George Washington from a wooden stick figure, into the really amazing person he was. I know some people will question the authencity of the material. But, to me, the wealth of detail, emotions, make it an unquestionably good read.


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The Mammoth Book of Egyptian Whodunnits (Mammoth Books) Review

The Mammoth Book of Egyptian Whodunnits (Mammoth Books)
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These stories are set in various times during Ancient Egypt, and are written by masters in the field of historical mystery. Stories were well crafted and riveting. I would have prefered a little more background on both the author and the main characters, especially the the authors I hadn't read before, but it's not really necessary. I will be looking for some of the authors to read more about their characters.

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From Cleopatra and Herodotus to Howard Carter and the Curse of the Pharaohs, the investigators in The Mammoth Book of Egyptian Whodunnits uncover the murder mysteries of Ancient Egypt in over two dozen stories. Master anthologist Mike Ashley has gathered hidden gems and specially commissioned pieces from the genre's favorite practitioners like Elizabeth Peters, Suzanne Franke, Michael Pearce, and featuring such favorite ancient-world investigators as Lynda Robinson's Lord Meren, "the Eyes and Ears" of Nefertiti and Tutankhamun, Paul Doherty's judge Amerotke from the 18th Dynasty, and Lauren Haney's Lieutenant Bak of the Medjay police under Queen Hatshepsut, to beguile and confound historical mystery readers.

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The Illuminator Review

The Illuminator
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This is a well-researched work of historical fiction that captures the essence of medieval life in feudal England. It is set against the precarious political and religious philosophical backdrop of the turbulent fourteenth century. It is a time when life was cheap, and death always seemed to be just around the corner. It tells the story of two people whose paths cross in the latter half of fourteenth century England and the events that follow. The politics of the day, both the religious and secular ones, would leave their imprint on each of them, as well as on their progeny.
Lady Kathryn, having been locked in a loveless marriage, has recently been liberated by her dissolute husband's death. In a time when women were little more than chattel, she has been left as mistress of Blackingham Manor in East Anglia. She is trying to shepherd it along, as it is the inheritance of her fifteen-year-old twin sons, Alfred and Colin. She is fraught with concerns over money and the possibility that John of Gaunt, the Duke of Lancaster with whom her late husband imprudently allied himself, and who was now Regent to the young King Richard, might not maintain his power for long. If so, the fact that he is a patron of the heretic John Wycliffe and his Lollard followers could prove to be potentially disastrous for her and her family.
In order to try to conserve her property, as she fears that it will be swallowed up by the King's taxes, as well as the seemingly endless tithes required by the church, Lady Kathryn agrees to take in a boarder at the local abbot's request. In addition to conserving her property, she is also trying to keep at bay the unwelcome advances of Sir Guy, the local sheriff and friend of her late, unlamented husband, as well as the owner of the property adjacent to Blackingham Manor. She knows full well that she would just be the means to acquiring Blackingham Manor and increasing his holdings.
The boarder in question is an artisan named Finn, who has with him a beautiful teenage daughter named Rose. Together they take refuge at Blackingham Manor. Finn is a master illuminator who works for the Church. While working for the Church, however, he labors in secret for the heretic John Wycliffe, illuminating an English translation of the Bible, something that is forbidden by the Church. Moreover, Finn is a widower with a secret past, one that will cause Lady Kathryn much grief of her own making.
The freethinking Finn and the newly liberated lady of Blackingham Manor soon find that they have quite a bit in common. Their friendship grows into a passionate romance that neither of them would have expected or anticipated. In the wake of their passion, however, a chain of unstoppable events is unleashed. Finn and Lady Kathryn's relationship will lead her to a crossroad where she finds herself with her loyalties divided between Finn and her sons, forcing her to make a choice she would rather not have to make. Moreover, unbeknownst to them, Rose and Colin likewise find love budding between them with ramifications beyond their understanding.
Always at the center of the book is life as it is lived on Blackingham Manor and the everyday concerns that go along with living in a place under such oppressive circumstances. Always in the backdrop is the political and religious turbulence that would one day eventually lead to the Reformation. Meanwhile, that turbulence has the capability of profoundly changing the lives of everyone living at Blackingham Manor. Serving to complicate matters further, is the murder of an avaricious priest, which murder appears to be laid at the doorstep of Blackingham Manor. In addition, Lady Kathryn's malevolent overseer, the yeoman Simpson, is dealing her a bad hand and causing untold mischief among her serfs. Consequently, there comes a time when the seething cauldron of unrest bubbles over, taking everyone in its path for a ride not of their own choosing.
This author is a welcome new voice in the historical fiction genre. She has managed to create interesting and somewhat unusual characters not often found in historical fiction. A prominent character in the book is the local anchoress, which is based upon the mystic, Julian of Norwich, a character one does not often see mentioned in historical fiction of the period. Nor does one often come across an illuminator as an integral character in a novel. The author also seamlessly weaves historical figures into the fabric of her fiction with practiced ease. This is a well-defined, imaginative book that brings the Middle Ages to life. It will be enjoyed by all those who love well-written historical fiction.

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